22.04.2024 ●1 - Густав (1) drive.google.com/file/d/1Kiu_zlSqGRQptJvDYV7F5A... У жены были девичьи выходные в Берлине, и я могу вам сказать, что она еще не выглядит абсолютно трезвой. Сегодня вечером с 18:00 начнется продажа билетов на мой БАРАБАННЫЙ барбекю на Хэллоуин. У нас уже есть классные идеи, и мы будем рады, если вы, ребята, присоединитесь к нам.
● - musstemachen_podcast () drive.google.com/file/d/1pMfc9YhNeMycvvHuSCcKSz... Der hechelnde Star bei den alten Herren des 1.FC Magdeburg? Nein, Gustav Schäfer ist so viel mehr. Hat er alles erzählt in der neuen Folge „Musste Machen“, fast überall, wo es Podcasts gibt und bei YouTube als TV-Großereignis. Alle Links findet Ihr oben neben der Bio. #musstemachen #gustavschäfer #alteherren #fcm #vollgas
●1 - Густав (1) drive.google.com/file/d/1iS465bsh7d8M2BlN-mqfF7... Сегодня 5 часов газон косили с помощью взятой напрокат косилки. Теперь робот снова работает . Для девочек и Лаки теперь есть тарелка с закусками, а я отправляюсь на футбол.
● - Густав (618) и Георг () Freundschaft muss nicht perfekt sein. Nur echt. #teamgeorg #teamgustav #teamdrumandbass #friendship @robert_nowell_photography
With filmmaking, I have always loved working with musicians, but my favorite ones so far have been with the wonderful humans that are @tokiohotel #filmmaking #tokiohotel #tokiohoteltv #adventure #music #goodpeople www.instagram.com/p/C5toJFbP9T7/
The Rise To a Modern Evergreen: Everlasting, Ever-evolving An Interview with Bill Kaulitz
читать дальшеWithin the world of music, few artists manage to transcend the boundaries of their craft, becoming icons whose influence reverberates across generations. Rising to fame in the 2000s as the frontman of Tokio Hotel, a band whose sound echoed in teenage bedrooms across the globe, the Magdeburg-born Angeleno stands as one such luminary. Traditionally hailed for his electrifying stage presence and distinct fashion sense, Kaulitz has now re-accumulated old and new fans through his captivating charisma. Together with his twin brother and bandmate Tom, in their joint podcast Kaulitz Hills: Senf aus Hollywood Bill has allowed for insights into the glitz, glamour and grime that comes with his eventful life for four seasons now. Naturally, he does so with his one-of-a-kind charm and transparency, which is just one of the reasons the show is regularly topping the German podcast charts. Emblematic of this popularity, the pair ditched the instruments for their first-ever live podcast performance in a venue no less than the Hamburg Elbphilharmonie. Yet, behind the enduring spotlight lies a journey marked by creativity, resilience and constant reinvention. In our exclusive shoot, we invited Bill to explore this theme of reinvention together with a reflection on his old iconic look, while I had the privilege of meeting Bill Kaulitz for an exclusive interview. Join me, as I invite a forward-thinking man to look back on his decade-long legacy.
Johannes Liedtke: First of all, how are you doing and what have you been up to these days? Bill Kaulitz: I am jetlagged, but I feel like that’s a constant state I’m in at the moment because I’m travelling. It’s not something I’m proud of, it’s just something that I have to do right now because work is so crazy… I feel like I’m more on planes than in music studios, which is kind of sad, but also I’ve been working on new music so I’m jetlagged and whenever I have the energy I’m trying to focus and go in the studio because honestly, I have not written enough music in the last year.
JL: I can imagine that must be so tough with all the travelling. But being on the road, never having a place to rest, what keeps you inspired artistically, is travelling itself maybe something that inspires you? Can you write music on planes? BK: Honestly, while on the plane I just take a sleeping pill, drink two glasses of red wine and try to get some sleep. Usually, my schedule is so tight, because I time it that I land somewhere, and I start working right away because otherwise I never have enough time to fly back home, so I always schedule everything super, super tight. I never like to have like layover moments or off -time when I go to work, it’s always super tight and I just like to get it all done as quickly as possible, I feel like I’m pretty straightforward, I’m very German, I’m never too late and I like to get things done, and I like to be busy, it’s like this typical artist thing; I love to complain about and say “Oh my god I’m so tired and jetlagged” but at the same time I love to be busy, I love what I’m doing, so it’s all fun.
JL: It’s funny that you say that, I actually had an interview with someone else the other day and she was late, so I was like: “Is Bill Kaulitz gonna be late?” BK: I’m never late, I’ve never missed an appointment in my life, never slipped on any agreements I’ve had, I’ve never missed a plane, so yeah I’m very German in that regard.
JL: Deutsche Pünktlichkeit! BK: Genau! [Laughs]
JL: And as a little reflection on your career, what would you consider some of the most defining moments, memories and even milestones? BK: Most defining moments, oh my god. It’s funny that you ask, just yesterday my autobiography turned three years and I can’t believe it’s been three years since I wrote that book. I think for me personally, but also for my career, writing an autobiography when you’re only 30 years old is a little crazy. But also I think it was one of the most important things I’ve ever done, because I feel like with that book, we kind of reinvented the whole Tokio Hotel career. Also, I feel like it was such a relief in a way, because it was so honest, and it was the first time that I could truly tell my story in my own words and my point of view without anyone interrupting me or interpreting it differently. It was very therapeutic in a way for me. Definitely a milestone because it also started so many different things that came after that, such as the podcast, which then led to so many other things. So I feel like the book was very important. And then for Tokio Hotel, oh my god there were so many. I mean of course the first song [Durch den Monsun], you know we started with a number one song and I think that song is still so relevant and it’s crazy because we just now see that even in other countries, young people are rediscovering this song, and they’re like 12 years old, so they weren’t even born, when the song came out, and they’re still loving it in 2024. It’s so crazy – I always ask myself: “How does that even happen?” Because when it came out there was no Instagram or TikTok or anything like that, so it’s astonishing to see that even an old song like that can still touch and move people so many years after. So Durch den Monsun was definitely a milestone, I think the first single is always a milestone for a band. Then also winning the VMAs over in the US is a moment I’ll always remember, just because it was so unexpected. Us breaking through in America in that way and being nominated for all these international acts was a huge thing for us. Honestly, there are just so many memories, I could go on and on, I mean it was pretty wild! [Laughs]
JL: Definitely! Maybe tightening the scope a bit, what were some of your personal milestones from the past year? BK: I think doing the first live podcast with Tom. I never expected people to be so crazy for live tickets just to listen to two people talking on stage, that was so unexpected. I think we’re going to do some more live events with the podcast this year. Then also winning The Voice of Germany was super fun but unexpected, I would have never anticipated the fun I had being on that show. To be honest I was always hesitant to do it, they asked us back when the first season was planned, and we always said no, and we were always unsure if that was going to be something for us. But I had so much fun coaching young talents, even though it took a long time and the shooting days were super long. I had the best time doing it, one of my best experiences on TV for sure. What else did we do this year? Oh! Tom and I hosted our very own show for which we won a Deutscher Fernsehpreis [German TV award], which was also unexpected. There were a lot of “firsts” in the last year, which is nice because after 18-19 years of doing this, it’s nice to see that you can still get excited and still have things that still surprise you. So the last year was definitely a year for those.
JL: Wow! One could imagine that you could get used to all that after so many years. BK: Yeah! Or like jaded, in a way that you’re like “Oh, I’ve done that before”, but honestly I feel like I’ve never been as excited about my career as I’m now. Also with Tom and also with Tokio Hotel, it feels really exciting right now, which is a really good feeling.
JL: Sticking with your involvement in Tokio Hotel now, is there anything we can expect from you in the future? New music and projects we can look forward to? BK: We’re definitely working on new music, we also just announced that we’re going to upgrade some of the venues to bigger ones because they’re sold out already for 2025! It’s nuts, I can´t explain why, but countries like France are sold out, Italy is sold out, a year in advance and I’m just like “What’s going on right now?”, I don’t even know where this is coming from. I was just at the Fashion Week in Paris, just to see some shows and run around the city with my friends and then all of a sudden there were just so many people in front of my hotel and I just thought “F*ck, I need to book security!” I really did not expect this intensity of excitement. I have no idea how people are rediscovering some of the songs, but it’s definitely nice and I love it. But yeah, we are working on new music, we are working on the tour, we are playing at big festivals this summer. In general, this year we want to focus more on music and creative work, but also on playing live, we are putting together a new festival show and then next year we’re going to tour and hopefully have a new album ready!
JL: Congrats, that sounds very exciting! Then talking about your media work in the past, you and your brother initially retracted from Germany and its media landscape. What would you say sparked the change to come back? How has your experience been with being back in the German media realm? BK: It feels familiar, but still different. It’s definitely a mix of both of those feelings. You know, Tom and I have been in the public eye ever since we were 15 and grew up with all that attention, the media and fans and a very public career. I think initially we needed to get away from that a little bit and “lick our wounds”. We were scarred from everything that happened when we were so young. All that attention made us a bit tired of what we were doing, and I think we also weren’t very happy with what we were doing, we weren’t inspired by it anymore. It was just a job that needed to be done, and we were caught in horrible contracts with a record label and management that we didn’t want to work with, and we just felt kind of forced and trapped to do what we were doing. So it was important for us to get away from that a little bit and rethink what we wanted to do artistically, to take it into our own hands and to be in charge, to be in control, in order for us to be happy with it. We took control back musically with the Dream Machine album and then finally, for myself, I did that with my book and I think that’s why it’s so important and dear to me. Everything that happened after the book was on our own terms, and it just felt great, and we started having fun with it again. Now, everything feels different; the relationship with Germany and Europe, with our fans, and with the media is so different because now we are finally in the driver’s seat. It just feels so much more natural and fun. As I mentioned earlier, I think last year was the best year career-wise, for sure, for Tom and me, but also for the band.
JL: As you said, you were so young when everything unfolded and you were confronted with that amount of media attention. Being a kid of the 2000s, I also remember the language that was used in media was so harsh, often even very homophobic. I think you being a young boy wearing makeup back then also was a huge, almost scandalous thing in the German media. So I’m wondering, do you think the reception nowadays is more positive? BK: For sure! I think we have come a long way. I was just watching back an old clip I found on Instagram, there was a show back then called Die Hundert Nervigsten Deutschen [The Top 100 Most Annoying Germans] and a show like that would never be on TV in 2024. I think that show, even just its title, tells how long of a way we have come. I think they voted me number one or number two, and the way they talked about me… The words they used – mind you I was a teenager – there were comedians, but also hosts, grown, important people – and the way they talked about me! Now being 34 and watching that back and thinking of myself at 16, I was so insecure, I was a normal teenager too, even though I was always acting hard-shelled and cool. I was on stage being bold and brave, but of course, I had insecurities, and I was still figuring life out. It’s so crazy how people talked about young kids for no reason. It was very homophobic and very harsh, very nasty, very wrong. You know, looking back at everything that was written about us is pretty wild, but then, now, it makes me happy to see that the reception is so different. Even the people that were on that show, some of them are still relevant, and they have also changed a lot. I think for them looking back at that it must be so embarrassing. I heard someone say “You know, looking back you guys were so ahead of your time, if you’ve had your band breakthrough now, things would be very different”. But I think we did everything for a reason and honestly, I would not change a thing, it was all meant to be like that.
JL: I think it’s safe to say that you were also one of the reasons that that conversation has shifted because you having been someone so young, being yourself so outspokenly and unapologetically for a lot of queer kids, including me, you were always someone to look up to and see that it’s ok to be the way you are. BK: And that makes me so happy! I think, when you’re in it, and you’re doing it you don’t realize how much of a responsibility and how much of an impact you’re having, I never thought about that. But now, looking back and people like you or some fans telling me these things, it just makes me so happy and proud. It really is the best compliment!
JL: You deserve it all! Now maybe comparing your fame and impact in Germany to your experiences abroad, do you think those are very different experiences? BK: For sure! Personally, it always gave me a sense of peace of mind to be successful in other countries too because then I always felt relieved in a way, like “Thank god my career is not only dependent on Germany”. If things ever go wrong and everyone starts hating me, I still have these other countries. [Laughs] So that always gave me peace of mind and made me very happy, and I think that being successful in other countries shifted our careers in Germany too. When we started winning the VMAs and being more present in America then slowly some of the German haters started to be like “Oh, look at our boys!” [Laughs] In terms of being taken seriously as musicians in Germany that helped a lot, when we started to get big in France and people started learning German to sing the lyrics, this is when people slowly started to become proud of us. That definitely shifted the language of the media. In other countries it was also way fewer tabloids and yellow press, in Germany it was always about our private and personal life and who we were dating and whatnot and it was always a bit less about our music in a way. We were constantly fighting with the tabloids and kept trying to push our music and that never really worked out. In other countries, our music was always the main focus, so in places like France or America, especially in America, we were always more of an Indie band, never mainstream like in Germany. We were always the cool German shit with the Indie look, so I think the reception was just very different. People looked at us as musicians instead of celebrities. I feel like in Germany we were celebrities, more than musicians, and I think that was very different in other countries. ------------------------------- “I’m just now learning how it feels to be completely yourself in public even though I have been doing this for so long. I watch back old interviews of myself sometimes, and I’m like “What am I doing there, why am I lying so much, why am I so serious?” That’s not who I am. ------------------------------- JL: I feel like maybe that whole focus on celebrities’ personal lives, who they’re dating, I get the impression that that has also changed a bit… BK: Totally! Also, I think because of social media. Social media and podcasts and all that stuff really changed the media world, because you can always tell your own story. You can correct people, you can always tell your own truth and you can share whatever you feel you want to share. Media is always a bit slower, so they can always invent rumors. On social media, you can always share where you are, and who you’re with. I think that definitely has to do with it too.
JL: Definitely! Talking about you telling your own story, especially your podcast Kaulitz Hills with your brother, can be a big channel for that. Run me through your journey with that! How did it come about and how does it feel to be so successful with it? BK: Oh my god, I think the podcast was the most unexpected thing ever. When Tom and I started – almost two and a half years ago – we had no idea what a podcast was! I remember when, I think it was Georg from our band, came to us with the idea, he just told us: “You know what, you guys are so funny together, you should always have a microphone in the studio or whenever you hang out because that would make the funniest podcast” and I just told him “What is a podcast? I’ve never even heard of that!” and he was just like “Well, it’s kind of like a radio show”, and I just thought “Who in this world is going to listen to that?” I couldn’t even imagine people just listening to it, I thought you always needed a visual, and it’s more like a YouTube thing, I had no idea. But then, they brought a microphone, we had a drink, and Tom and I thought “Okay, we’ll let’s try it out!”, so we just sat down and started talking, like our usual brotherly talk we have and recorded a pilot. Then Spotify said “We’re going to give you a contract for nine episodes” – that was the original plan, but then it became so crazy successful, and we had no idea why. People just loved it so much, so quickly, so we extended the contract. Fast-forward, we’re now on season four, and I can’t even imagine my life without the podcast. It’s something I look forward to every week and Tom and I always have so much fun with it. We always have something to talk about, and honestly, there are a lot of people who never listened to Tokio Hotel and a lot of new people. I feel like the feedback we’re getting or the emails we’re getting is from a lot of new people. Some even say, I never listened to Tokio Hotel or I never liked you guys, but they got recommended the podcast, and now I am in love with it and I can’t stop listening to it. I feel like people didn’t really know us before the podcast because it’s always just interviews and glimpses and fractions of something you’re saying or doing. I think listening to someone for an hour is very intimate. Especially someone talking to his brother, we’re identical twins, we’re so close, and we don’t have anyone else in the room, it’s just us two. Opening that door and letting someone into that conversation is something rather private and intimate, and I feel like that’s how people really get to know us, truly, without getting a question asked, it’s just a conversation.
JL: And how does that feel, having so many news fans that weren’t attracted by the music but more by you personally, and now maybe they became fans of the music too? BK: It feels great. Tom and I always say when people love your song or your brand or your live show, that’s always art, so that’s always a question of taste. You either like the song or you don’t like a song, you can’t always cater to everyone’s taste. But getting a compliment for the podcast, that’s just so personal. When people say “I like the podcast”, that truly really means they like us as people and I think that might be the most honest and intimate compliment we could get. So that makes us really happy. Every week we’re so overwhelmed with all the comments and how we became a big part of so many people’s lives. Sometime’s people write us things like “You’re like my best friends I never had” and it’s just very touching and very cute.
JL: And you also often give out advice on your podcast, so it is also like a mutual thing with the fans, right? BK: Yes, it’s a great way to communicate. It’s just so nice, because once a week we really get to tell everyone about ourselves without relying on interviews or reporters, so it’s really just us talking with each other, but also with our fans. It’s kinda crazy because I sometimes even forget about it. [Laughs] Sometimes I’m in a conversation with Tom, and I just can’t believe so many people are going to listen to that, which honestly might be the whole secret behind it. It’s just a real intimate conversation, and you can’t think about the fact that so many will listen to it.
JL: Do you cut things out often? BK: Sometimes. Very rarely. Tom always edits the episodes, so before we even send them to Spotify, he is always listening back to the whole conversation. Sometimes he will cut something out, but it happens very rarely, like maybe every other episode or something. If he does then mostly because the episode was too long.
JL: As you mentioned, that authenticity and unapologetic unfilteredness might be the secret behind Kaulitz Hills’ success. With so much success and so much media attention, a lot of people in the industry develop a sort of “media mask” and are someone completely different once cameras or microphones are off. How do you think you could preserve and maintain your authenticity? BK: To be honest, I’m just now learning how it feels to be completely yourself in public even though I have been doing this for so long. I watch back old interviews of myself sometimes, and I’m like “What am I doing there, why am I lying so much, why am I so serious?” Like that’s not who I am. I think because of the book and the podcast, we just recently discovered how much easier it is to be transparent and in every way authentic. It’s so much easier than putting on a persona or a different face, you know, that’s exhausting. So I think because of all the tabloids and the media and what people thought of us we always thought we had to be a certain way and I had to talk in a very serious manner in order to be taken seriously and I completely let go of that and that just feels great. I have so much more fun now doing TV shows and doing interviews because I feel like I don’t have to pretend to be anything I’m not anymore. People know who I am, they know how nasty and how funny I am. I think that was a big relief for us, I discovered after so many years that being yourself is just so much easier and it’s really not hard to do. Just do an interview like you would talk to your best friend or your brother and I think this is the best advice I could give anyone. I wish I could talk to my younger self and say “Just be yourself and don’t try anything, that’s gonna be a big relief for you”.
JL: And I mean, it’s also nice to let that guard down and see that people still like you and might even like you even more. BK: And a secret is only a secret if you make it one. When you’re open and honest, there’s no scandal, there’s nothing to reveal or uncover. It’s nice to be open and honest and not have that many secrets, because it’s just unnecessary. That doesn’t mean you can’t keep things private.
JL: Going back to The Voice of Germany. You said that being authentic is one thing you would recommend to anyone, probably especially in the music industry and people in the public eye. How has your experience been as a coach and what other things would you recommend to people starting out in the music industry and in the public eye? BK: It was great. I never thought I would have that much fun doing The Voice, again I was always a little scared of it, because as the producers told me, you’re not just a judge, you’re a coach and I just thought “Oh, that sounds like a lot of responsibility”. [Laughs] But yeah, before it was just never the right time, but when we ended up doing it it just came at the perfect time. Tom and I had so much fun doing it, especially together. Being in one chair, it really just felt like doing the podcast with music and our other fellow coaches. We had a great team and you really get so invested. I never thought I would get this invested in this whole “game” in a way like I’m so competitive. I thought if I do it, I want to win, and it was great fun because in the end, we won. I never expected this after the semi-final, where we lost so many of our team members. I think the best advice was to be authentic. We were trying not to be so serious, and to be “coaches” all the time. I was trying to meet them eye to eye and just have fun. That’s the most important advice: to have fun with what you’re doing. When it feels like work, it might not be your thing. I remember when we started out, I just wanted to be on stage. Every stage you gave me, every microphone you gave me, every chance you gave me, I was up there. If you’re scared of the stage, scared of sharing your talents, and your writing skills, this might just not be for you and that’s okay. A lot of our talents also found that out in the process, some always thought the stage was for them, but maybe they see themselves more as producers or writers in the background. There are so many things you can do in music, you can be a great producer or mixer or work on the record label site. So being on stage is really not for everyone. I think that really is the best advice I can give, have fun with it and be yourself. It’s really not an easy thing to do. It took me all these years to figure that out.
JL: Which other artists, also from other disciplines like film and fashion inspire you? BK: Fashion always inspires me. I love to discover new looks and designers. For me, music and fashion go hand in hand and I can’t do one thing without the other. It was always very important to me to not just express myself with my voice but also with my looks. For me that always supports the music. For inspiration, I would say David Bowie was always the biggest one. He was my childhood hero, that’s why I had the hair, because I loved him in The Labyrinth. It really was my childhood fairytale, I watch it pretty much every weekend. I loved the looks he was wearing, his tight pants, the colors, his hair and makeup. Then also Prince, more look-wise than his music. I loved his music, but I always got more inspired by his outfits. Whenever I am putting together new looks for our shows, I always go to the Prince archive, and I send my custom designer all these pictures of him. Also Hedi Slimane, I think he’s a great designer and just really someone I look up to, I love all of his photography, designs and just his general point of view. I also get inspired by film a lot. Pretty much every Sunday, I will watch one. I had someone tell me, that watching movies is like therapy for me and that’s just so true. When I’m watching a movie or a good TV show, that’s the moment where I can just get out of my head and be inspired.
JL: As you just touched upon fashion, how would you say your own style has changed over the years? BK: Oh my god! It has changed so much. I feel like I change so often that even when I look back at my outfits from last week, I sometimes feel like I wouldn’t wear them again. [Laughs] I feel like I get tired of things so quickly, I constantly need to change and evolve. But it’s never something I’m planning, it’s not like I’m sitting down wondering what my next fashion move could be. It’s just something that comes naturally to me, I need fashion to stay and feel alive, I just like to try out new things and when you’re trying out new things you’re also always bound to fail. If you want to be bold, you’re also always going to look back at some failures, but that’s okay. To me that was always the fun of it all and you also learn from it. Looking back at old styles, I always understand what I was thinking there and what I felt. The outfit was always a reflection of the way I felt at that moment, so very authentic. I might have not been the most fashionable or best-dressed, but it was always me. As long as it feels good, and again, authentic, to me. That’s also why I never tried styling Georg, Gustav or Tom and why we always looked different because we were just being ourselves. I never wanted to look alike or told them to blend better, I always wanted us to be ourselves. The worst feeling is when you feel dressed up in somebody else’s style. So yeah, my style changed big time and it just keeps on changing. A lot of people like to have their uniform, I have friends that only wear black or only this one specific type of pants and it works for them and it gives them peace of mind. Like Karl Lagerfeld for example. That just goes to show how people are wired so differently, some people derive a sense of peace of mind from having their uniform so they can focus on other things, but for me, that would mean death. If I had to wear the same thing every day, honestly I would rather die. [Laughs] Changing my fashion and style keeps me alive and it keeps me inspired.
JL: I think it’s safe to say that for the shoot for ZOO #82 you underwent quite a big one. How did that feel? BK: I’m always up to try something different, so when they told me they wanted to do a “homage” to my old style and my old look, going back to the black hair and the eye makeup, I was like “Let’s do it!” Because for me personally, I never really look back. I’m always thinking about the next song, the next move, I never really sit and reflect and think about the past. The only time I really do that is when I am doing an interview or when I wrote my book. So going back to the original Bill and taking out the piercings, going back to a time when I did not have the tattoos, and dying my hair black was a weird feeling, but I liked it. It was like traveling back with all the experience I have now in my 30s, but also embracing and hugging my inner child in a way.
JL: What can we expect from you in the future? BK: There’s so much I wish I could tell you. For instance, this summer is almost going to be a bit overwhelming, we have all these things coming out at the same time, that Tom already is scared it’s going to be a sort of overkill and people will get tired of us. There’s a lot of new TV stuff happening, there’s amazing new music coming. Tom and I just finished two songs that are going to be the theme songs of two of our projects that will come out in the summer. In a way, it feels almost like a second career. Somebody said the other day that when they look at me and Tom now, it’s almost like different people, like the old Tokio Hotel was so big and everyone remembers these songs and that career, but to him it was like Tom and I are separated from that. It’s the old Tokio Hotel, and the new Tokio Hotel, with almost new members. He feels that we really reinvented ourselves and that he couldn’t connect the two careers anymore. And I listened to that, and I found it so interesting because we never planned it. It’s just something that happened naturally, and I love that people can see that we’re having fun with everything again. It was so many things happening for the first time, I hope I’ll have more unexpected things coming this year because I am just having so much fun with that.
-------------------------------- “For me, music and fashion go hand in hand and I can’t do one thing without the other. It was always very important to me to not just express myself with my voice but also with my looks” --------------------------------
●1 - Густав (1) drive.google.com/file/d/1BJoTG_TKU5V9cXaF6IGKeZ... Доброе утро Сегодня пятница и урок плавания. Так что, идем с классом Лотти в бассейн! И не забывайте #руки вверх конец недели ●2 - Густав (2) drive.google.com/file/d/133AziB4kphvVj_z2fzVHpy... Я в это не верю! Я получил комплимент от моей королевы драконов, или, еще называемой винной принцессы. Но повторить это вы не можете! Ein Memo für mich an euch für uns.